Live at Sarah's Format

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Live at Sarah's.."

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Contact for Adelaide Jazz with Richie Robinson

 

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"...showcasing a range of established jazz and blues artists from Adelaide and beyond, in intimate acoustic performances accompanied and/or presented by

Adelaide Guitar Master

Richie Robinson..."

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CLICK HERE FOR

GIG GUIDE

LIVE AT SARAH'S - What is - When is - Where is - Who is -

ABOUT 'LIVE AT SARAH'S' PERFORMERS (YOU)

INSTRUMENTATION

BOOKING DETAILS

SOUND DETAILS

PROMOTION & FUNDING

HISTORY

 
LIVE AT SARAHS WHAT IS ?

With a relaxed inviting atmosphere Live at Sarah’s happens in the heart of Adelaide every Friday evening.

The nights feature acclaimed instrumentalists and vocalists showcased in intimate and exposed performances, presented by master guitarist Richie Robinson.

Live At Sarah's is a unique opportunity for the general public, (often those attuned to sustainability awareness), to enjoy some wonderful instrumentalists and vocalists from Adelaide and beyond, outside their normal band context and environment. Here the performers have the harmonic space to project their years of experience as acclaimed musicians in a dynamic and expressive environment.

WHEN IS ?
Every Friday at 7pm.
WHERE IS ?
12 Leigh St Adelaide, SA 5000. See Map
WHO IS ?

SHOWCASE ARTISTS SO FAR - David Burvill-Holmes - Gabriel Chammah - Sharon Vicars - Catherine Lambert - Derek Dalton - Dominic Guida - Jazzin' Around - Gerry Masi - Mike Bevan - Les Millar - Dave McEvoy - Don Brow - Snooks La Vie - ACU Jazz - James Annesley - Antero Ceschin - Renee & Quinton (The Beggars Duo) - Robyn Habel -

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ABOUT LIVE AT SARAH'S PERFORMERS (IS IT YOU?)

    • You are an established artist and master of your instrument in your home city/state and are now achieving recognition (or aiming to do so) nationally and overseas.
    • You have a known professional history and are an outstanding performer in jazz / blues.
    • You are traveling through Adelaide (or reside here) and are seeking that valuable extra exposure as an individual performer.
    • Your recognition comes from real-world performance rather than academic circles.
    • You are a vocalist, or an instrumentalist that can work acoustically.
    • You have a strong command of the standard jazz and blues repertoire to entertain and capture the Live At Sarah's audience, and possibly some of your own original style/material to add to the mix.
    • You are happy to "strip down" your performance to an intimate style, and appear as a feature artist accompanied by Richie Robinson on acoustic guitar*.

      • *Exception a) In the case that Richie will be away for your performance, you may provide your own accompanist if she/he plays an acoustic instrument such as guitar or double bass. Or you may perform as a soloist if you are booked to do so.
      • *Exception b) In the case that you are a duo and have a particular set you would like to perform, the first set may be performed with, and presented by Richie Robinson on material the audience is familiar with. The second set may be then performed in the same intimate manner by you and your accompanist as a duo.

SOUND DETAILS

    • This is a very ambient room!
    • Sound system is provided, and no PA or amplification equipment is to be brought into the venue.
    • Feed-back stoppers for acoustic guitars/basses are not allowed - Please turn down to stop the feedback.
    • Any inline FX must be restricted to reverb and/or compression only, and must express a natural acoustic sound.
  • Generally there is no need to mic up saxophones and louder wind instruments, or violins and the like, except when recording. Microphone use is ok for vocals.

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INSTRUMENTATION

    • No electronic keyboards, sequencers, or drum machines of any kind.
    • No loops, looping delays, dj equipment, or playing of pre-recorded material as part of the performance.
    • Double Bass and Guitar are the preferred accompanist instruments, however, that may also include accordion, or softly played percussion instruments and the like.
    • Electric or semi acoustic guitars and basses are not allowed - ALL instruments MUST be acoustic.
    • Portable electronic pianos are excepted due to obvious constraints, and must reflect an acoustic piano or organ sound as closely as possible.
    • Kick drums of any sort, acoustic or electric are not allowed. This is a brushes only gig. Please keep brushes as loose and soft as possible. The preferred kit is hat, snare, and ride only.

BOOKING DETAILS

    • Two hours of music with a small break. You may perform up up to three three hours if you wish.
  • Dinner is included for each performer.
  • Coffee and non-alcoholic drinks are provided for each performer.
  • Fees / remuneration / takings are to be discussed with Richie Robinson.
  • Please load in via the side door, and then park in the Plaza Car Park - Clubhouse lane.
  • Till the end of Feb 2009 parking is only $4 for club secure members that are Sarah's patrons. Pick up a ticket at club secure, or from the counter at Sarah's, and show the attendant when you pick up your car.

PROMOTION & FUNDING

    • Please provide a Black and White 150x150 pixel web-ready jpg or gif photograph of yourself and your instrument here. If you don't have rendering software, or the means to send via the internet, please describe which photos you have available here.
    • Please provide in 100 words or less your professional performance background. We have very little interest in academic study for promotion, so please concentrate on professional performance only. Please include notable names you may have performed with and previous releases.
    • Please also provide any details of up-coming releases, tours etc that can be worked into our promotions.
    • Please note that we will assist you with your promotions, and this serves as an in-lieu part-payment. Some of your income may also depend on turnover. Please assist us in any way possible to co-ordinate and expand promotional efforts.
    • Our commitment to professionalism over many years has given us notable credibility among our audience and the full-time professional performing community. Further, our consistent delivery of outstanding musicianship since 1979 has won the respect of venue operators, national agents, corporate clients and local media, and that experience has provided us with the expertise to be industry leaders in our field.
    • If you meet the criteria in the "about Live At Sarah's Performers" section above, and you want to boost your profile with some long term promotion, then contact us.

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"Live at Sarah's" does not use academic or arts funding provided by government bodies for promotion, and is therefore free to offer alternative and unhindered points of view on the merits of artists to views from those who rely on such funds for their income.

 

The funds that drive "Live at Sarah's" promotions come from the income derived solely from the performances of working professional musicians involved. As such "Live at Sarah's" aims to better the opportunities where possible for those musicians, and in particular, musicians that are self-sustaining performers rather than beneficiaries of promotional funds provided by government bodies and/or academia.

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Richie Robinson - Acpoustic Jazz Guitar

LIVE AT SARAH'S HISTORY

LIVE AT SARAH'S is the brainchild of Richie Robinson, and began on Wednesdays in October 2007. The evenings introduced intimate acoustic jazz and blues to the live scene in Adelaide. The evenings were extended to include Fridays, and now Live At Sarah's is held on Fridays only.

So far, many established and acclaimed local artists have performed with Richie in the stripped-back, down-to-earth fashion that is the LIVE AT SARAH'S trademark.

Richie has been a working performer since 1975, and a full-time performing guitarist since 1984. As a professional musician Richie has performed in Fiji, China, in countless SA venues, and in many notable nightclub venues across Australia over his many years as a full-time touring musician.

As well as running numerous local and full-time touring bands for almost three decades with much of the cream of Adelaide's jazz, blues, and pop scene, Richie has jammed with numerous celebrity artists including the Stevie Wonder Band, and John & James Morrison.

A winner of a number of songwriting awards, Richie's material includes independent releases, appearances on a number of compilation releases, and releases as a signed artist. His songs and productions have enjoyed radio success in Indonesia, College Radio in the US, alongside regular local and national radio in Australia.

Regular national airplay includes a release with New York born singer Billy Lofton, where he made the front cover of Music Network Magazine ahead of the alternative Keith Urban for that release. While on the same label, in the role of producer and guitarist, Richie has released material with Paul McCartney's guitarist Rusty Anderson.

Alongside his band work, Richie's professional experience has been rounded out with music video clips, writing music for local film, and working as an extra alongside Mel Gibson and Mark Lee on the movie Gallipoli in 1979. Richie has since made numerous television appearances, including Bert Newton's New Faces back in 1981, and most recently on the ABC's Beat the Chef.

Richie's audio experience extends beyond that of a studio producer to working with live sound and stage. He began learning as a teenager on-the-job as with double four-way and five-way production systems during set-up for band gigs.

This eventually got Richie onto setups with major and international names including Fat Boy Slim, Michael Jackson, Tool, Billy Joel, INXS, and Elton John just to name a few. Due to Richie's studio expertise setting up live/electronic drum sounds, he was personally invited by the Elton John production crew to be the local drum tech assistant on the Back to Back tour.

In short, Richie has a tremendous amount of experience to draw on when offering established local, interstate, and international musicians an opportunity to expand their Adelaide audience.

LIVE AT SARAH'S gives musicians the space to step outside their normal performance context to project their years of experience as acclaimed musicians in an intimate, dynamic, and expressive environment.

 

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